Paris, 25 March 2018  **From 4 to 8 April 2018, tribal art enthusiasts will be flocking to Paris Art Design!** At this 22nd edition of the fair, the French capital’s most talented galleries will be meeting up at the Jardin des Tuileries to celebrate creation and artistic taste. As is the case every year,… Continue reading PAD to the rhythm of tribal art
Catégorie : Anglais
TEFAF 2018: pleasing sales for Tribal Art
Maastricht, 23 March 2018  **From 10 to 18 March 2018, the 31st edition of TEFAF Maastricht, the international fair for fine art and antiquities, kept its promises for tribal art.** The fair, presenting 275 exhibitors this year, is one of the year’s biggest art events, and covers over 7,000 years of art history. TEFAF… Continue reading TEFAF 2018: pleasing sales for Tribal Art
Tribal art under the spotlight at Christie’s
Paris, 15 March 2018  **On Monday 9 April and Tuesday 10 April 2018, Christie’s Paris is holding two sales starring tribal art from Africa, America and Oceania.** On Monday 9 April, 149 Pre-Columbian art objects from **Ilya and Marina Prigogine’s collection** will go on sale. A Belgian physicist and chemist of Russian origins, Ilya… Continue reading Tribal art under the spotlight at Christie’s
Respecting the Balance
Brussels, 23 January 2018  **Like most collectors flocking to BRAFA, Harold t’Kint de Roodenbeke likes the month of January. President of the fair for the sixth consecutive year, he reveals to Artkhade with AMA the key points of the strategy for the Brussels-based fair. Verbatim.** With nearly 25,000 artifacts and works of art, presented… Continue reading Respecting the Balance
THE COLLECTIVE: Alexandre Logé, an unflagging hunter
Paris, 28 November 2017  *Collectors and art lovers populate the world of ancient African, Oceanic and American arts. **Laurent Granier** takes a look at their backgrounds, the psychological mechanisms behind their passions, their doubts, and their strategies. With them, he discusses objects, their histories, and the market.* **Alexandre Logé, an unflagging hunter** Alexandre Logé… Continue reading THE COLLECTIVE: Alexandre Logé, an unflagging hunter
The Fondation Dapper opts for nomadism
Paris, 20 November 2017  **The announcement of the Musée Dapper’s closure in May this year came as sad news. But the foundation suffers from no shortage of projects and intends to refocus on outside-the-walls initiatives. A meeting with its president, Christiane Falgayrettes-Leveau.** After thirty years of activity and around fifty exhibitions on its counter,… Continue reading The Fondation Dapper opts for nomadism
THE COLLECTIVE: Olivier Salandini, instinctive yet rational
Paris, 6 octobre 2017  *The world of Ancient Arts from Africa, Oceania and America is populated by collectors and enthusiasts. **Laurent Granier** explores their personal journeys, their strategies, their uncertainties, and the driving forces behind their passion. Together, they discuss the objects, their stories, and the market that keeps them in motion.* **Olivier Salandini,… Continue reading THE COLLECTIVE: Olivier Salandini, instinctive yet rational
A boomerang effect in Geneva
Geneva, 23 September 2017  **The MEG is dedicating an exhibition to the diversity and wealth of Australia’s arts. “L’Effet boomerang. Les arts aborigènes d’Australie”, thus offers insight into the colonisation of this country, from a political and aesthetic perspective.** It was in 1770 that British explorer James Cook, acting as a representative of King… Continue reading A boomerang effect in Geneva
A new tribute to Jean Rouch
Paris, 20 September 2017  **A prolific man, Jean Rouch directed more than 180 films. He was also well versed in poetry and ethnology. Today, several institutions are celebrating the centenary of his birth.** In 1957, Jean Rouch released Moi, un Noir, a film shot in pre-independence Cote d’Ivoire, which followed the daily lives of… Continue reading A new tribute to Jean Rouch
The Dealers speak out
Paris, 15 September 2017  **They’re the ones who murmur into the ears of collectors. Gallerists play a crucial role in the tribal-art economy. For this special issue, a number of them, each with their own specialities, have agreed to share their feelings on the sector. Confidences.** At auctions, the eclectic nature of the tribal-art… Continue reading The Dealers speak out